Noch'n Interview
Moderator: King Heath
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Noch'n Interview
Hey Ho,
IA übers Saufen, Politik, Hausmannskost und natürlich die Zukunft der Menschheit.....
Grüße,
J.
IA übers Saufen, Politik, Hausmannskost und natürlich die Zukunft der Menschheit.....
Grüße,
J.
I wish I was a Catfish, swimmin' in the deep blue sea....
Quote: "So, in that sense, I suppose you always have to admire someone who is a restless soul who is going out there and trying to do something that isn’t just the repetition of the Status Quo. Nothing wrong with what they do but it is repetitious and more of the same and every performance I guess is more or less like the last."
Mmmh...
Mmmh...
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- Wohnort: Mannheim
Ja, da hat er sich mal wieder selbst ans Bein gepinkelt. Oder es ist der Beweis für eine mittlerweile verschobene Wahrnehmungcannacity hat geschrieben:Quote: "So, in that sense, I suppose you always have to admire someone who is a restless soul who is going out there and trying to do something that isn’t just the repetition of the Status Quo. Nothing wrong with what they do but it is repetitious and more of the same and every performance I guess is more or less like the last."
Mmmh...
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- Beiträge: 4639
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Wieso? Schauen wir uns mal die letzten 5 Jahre an:CaptainFalcon hat geschrieben:
Ja, da hat er sich mal wieder selbst ans Bein gepinkelt. Oder es ist der Beweis für eine mittlerweile verschobene Wahrnehmung
2004 - Orchestral
2005 - Aqualung komplett
2006 - Tull + Micarelli / später Orchestral Tull & other music
2007 - Acoustic Tull + Phoebe/Calhoun - später neue Arrangements im Electric Tull Format
2008 - 40th Anniversary Tour mit Schwerpunkt This Was und unterschiedlichsten Special Guests an jedem Abend (UK)!
2009 - Christmas Shows
Also ich wiederhole mich ebenfalls wenn ich sage, daß ich das Programm überaus abwechslungsreich empfinde.
I wish I was a Catfish, swimmin' in the deep blue sea....
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- Beiträge: 668
- Registriert: Mo Okt 04, 2004 10:38 pm
- Wohnort: Mannheim
Im Prinzip gebe ich dir ja recht. Aber das Problem ist halt, dass wir hierzulande nicht allzu viel davon mitbekommen. Alleine die Tatsache, dass wir keine der Geigerinnen sehen durften, finde ich sehr ärgerlich. Das führte zwangsläufig dazu, dass wir auch oft nur die Standardarrangements zu hören bekamen und viele andere interessante Sachen gar nicht wie z.B. das Beside Myself/Rocks Medley.Whistling Catfish hat geschrieben:Wieso? Schauen wir uns mal die letzten 5 Jahre an:CaptainFalcon hat geschrieben:
Ja, da hat er sich mal wieder selbst ans Bein gepinkelt. Oder es ist der Beweis für eine mittlerweile verschobene Wahrnehmung
2004 - Orchestral
2005 - Aqualung komplett
2006 - Tull + Micarelli / später Orchestral Tull & other music
2007 - Acoustic Tull + Phoebe/Calhoun - später neue Arrangements im Electric Tull Format
2008 - 40th Anniversary Tour mit Schwerpunkt This Was und unterschiedlichsten Special Guests an jedem Abend (UK)!
2009 - Christmas Shows
Also ich wiederhole mich ebenfalls wenn ich sage, daß ich das Programm überaus abwechslungsreich empfinde.
Außerdem beziehe ich den Stillstand auch ein wenig auf die Bühnenpräsenz und das Fehlen von neuem Material. Da sind die aktuellen Weihnachtskonzerte endlich mal eine große Überraschung.
Stimmt wohl. Und davor gab's auch noch 2002/03 Rubbing Elbows. Für Ian waren diese Jahre sicher sehr abwechlungsreich. Aber leider kamen wir hier in Deutschland kaum in den Genuss dieser Variationen.Whistling Catfish hat geschrieben:Wieso? Schauen wir uns mal die letzten 5 Jahre an:CaptainFalcon hat geschrieben:Ja, da hat er sich mal wieder selbst ans Bein gepinkelt. Oder es ist der Beweis für eine mittlerweile verschobene Wahrnehmung
2004 - Orchestral
2005 - Aqualung komplett
2006 - Tull + Micarelli / später Orchestral Tull & other music
2007 - Acoustic Tull + Phoebe/Calhoun - später neue Arrangements im Electric Tull Format
2008 - 40th Anniversary Tour mit Schwerpunkt This Was und unterschiedlichsten Special Guests an jedem Abend (UK)!
2009 - Christmas Shows
Also ich wiederhole mich ebenfalls wenn ich sage, daß ich das Programm überaus abwechslungsreich empfinde.
Gruß
Birgit
- strange avenue
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Whistling Catfish hat geschrieben:IA übers Saufen, Politik, Hausmannskost und natürlich die Zukunft der Menschheit.....
L'Oréal war alle? --
Hier mal wieder ein geschichtlicher Rückblick, aber der letzte Absatz hört sich so an, als ob sich was bewegen würde:
http://thequietus.com/articles/03666-i- ... ethro-tull
http://thequietus.com/articles/03666-i- ... ethro-tull
Meet On The Ledge
- strange avenue
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Ulla hat geschrieben:Hier mal wieder ein geschichtlicher Rückblick, aber der letzte Absatz hört sich so an, als ob sich was bewegen würde:
Zumindest mal die Zusteller von UPS.
[quote="Der Vorsitzende des Kleingärtnerkollektivs "Rote Harke""]"I have sent material over to America where the band are working on it”[/quote]
Ach, ich Dummerchen, viel zu teuer. Ich meine natürlich die Kurzbehosten vom US Postal Service.
KH
- John Wayne
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Konkret meine ich seit 2007, da hatter was angekündigt und seit dem sinkt die Spannung ...effo hat geschrieben:So oder so ähnlich.....Seit wie vielen Jahren hören/lesen wir eigentlich solche "Hoffnungsmacher"?"I have sent material over to America where the band are working on it”
Manchmal gibt es Dinge, wo ein Mann tut, was ein Mann eben tun muss!
Hier das gesamte Record Collector Interview (aus einem anderen Forum geklaut)
Will there be any guests?
Not this time. I've been offered lots of collaborations in the last 18 months, but life is too
short. Six weeks to do somebody else's music? I'd rather concentrate on things closer to home
than packing and unpacking my suitcase for a rock opera in Germany.
Do you have any tapes of you playing before Tull?
No. I first picked up flute a few months prior, but I'd only been playing for eight months
when we recorded our first album in July 1968.
Did you have a favourite record shop then?
A hole-in-the-wall in Blackpool. Jeffrey Hammond, John Evans and I used to go
there and the guy behind the counter was helpful. He let us play music and it
was an important entree to the world of more eclectic music than on the radio
and TV. American jazz and blues, Alexis Korner, folk, like David Lewin and
Bert Jansch, and we took those influences and did something the Americans didn't.
Do you remember any albums you bought then?
Mose Allison's Swinging Machine - great improvisation and songs. Graham Bond
The Sound Of 66. It sounds crap today. But Eric Clapton and John Mayall and
Fleetwood Mac stand up. Hendrix, Stones, Beatles. But a lot of music from
then sounds really crap. An aberration. I'm not a collector. My music's digital. I
never liked CDs, and I'm not an obsessive magpie, though I know an actor,
Richard Coyle (from Coupling), with a London lockup with thousands of
albums, including Jethro Tull. How sad! I hate people asking me to sign albums
then put them on eBay. No chance! Sod off! I fucking detest autograph-hunters
wasting my time. Get a life! (laughs)
What would you have asked your musical hero?
Jimmy Boyd. I saw him at the Free Trade Hall when I was 17, and I'd have
asked him to explain how it felt to be black in America in 1965?
Because black didn't mean anything to me as a Scot living near Manchester.
You just accepted everyone. I was horrified there were race riots there
Do you have any unfulfilled ambitions?
Something with the spoken-word. Poetry. Maybe a book. But not rap - it's so
repetitious and sterile. All those hand signs - I don't feel comfortable with it. Why are
people enslaved to American street culture? Why can't they be interested in
housing estate clog-dancing or morris dancing?
You should get in the pulpit.
I did at Christmas and read poetry. I had a kind of strange power the priest didn't
have. My uncle and a cousin were vicars, and I can see how it becomes an
addiction. You're delivering someone else's message and I find that really
interesting, challenging, and quite dangerous. I'd also like to make a flute
album, because I play like no one else on the planet, and I don't want to be
remembered as the bloke who stands on one leg with a flute.
Will there be any guests?
Not this time. I've been offered lots of collaborations in the last 18 months, but life is too
short. Six weeks to do somebody else's music? I'd rather concentrate on things closer to home
than packing and unpacking my suitcase for a rock opera in Germany.
Do you have any tapes of you playing before Tull?
No. I first picked up flute a few months prior, but I'd only been playing for eight months
when we recorded our first album in July 1968.
Did you have a favourite record shop then?
A hole-in-the-wall in Blackpool. Jeffrey Hammond, John Evans and I used to go
there and the guy behind the counter was helpful. He let us play music and it
was an important entree to the world of more eclectic music than on the radio
and TV. American jazz and blues, Alexis Korner, folk, like David Lewin and
Bert Jansch, and we took those influences and did something the Americans didn't.
Do you remember any albums you bought then?
Mose Allison's Swinging Machine - great improvisation and songs. Graham Bond
The Sound Of 66. It sounds crap today. But Eric Clapton and John Mayall and
Fleetwood Mac stand up. Hendrix, Stones, Beatles. But a lot of music from
then sounds really crap. An aberration. I'm not a collector. My music's digital. I
never liked CDs, and I'm not an obsessive magpie, though I know an actor,
Richard Coyle (from Coupling), with a London lockup with thousands of
albums, including Jethro Tull. How sad! I hate people asking me to sign albums
then put them on eBay. No chance! Sod off! I fucking detest autograph-hunters
wasting my time. Get a life! (laughs)
What would you have asked your musical hero?
Jimmy Boyd. I saw him at the Free Trade Hall when I was 17, and I'd have
asked him to explain how it felt to be black in America in 1965?
Because black didn't mean anything to me as a Scot living near Manchester.
You just accepted everyone. I was horrified there were race riots there
Do you have any unfulfilled ambitions?
Something with the spoken-word. Poetry. Maybe a book. But not rap - it's so
repetitious and sterile. All those hand signs - I don't feel comfortable with it. Why are
people enslaved to American street culture? Why can't they be interested in
housing estate clog-dancing or morris dancing?
You should get in the pulpit.
I did at Christmas and read poetry. I had a kind of strange power the priest didn't
have. My uncle and a cousin were vicars, and I can see how it becomes an
addiction. You're delivering someone else's message and I find that really
interesting, challenging, and quite dangerous. I'd also like to make a flute
album, because I play like no one else on the planet, and I don't want to be
remembered as the bloke who stands on one leg with a flute.
Meet On The Ledge
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